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Rusted Radishes: Beirut Literary and Art Journal @RustedRadishes·

The first film by an Arab woman to be selected and screened at the Cannes film festival in 1974, Saat El Tahrir Dakkat (The Hour of Liberation Has Arrived) by Heiny Srour, reviewd by our film editor, Giovanni Vimercati. https://t.co/UC2Rw4RvrC

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Rusted Radishes: Beirut Literary and Art Journal @RustedRadishes·

Our #tarjamat night was lit once again. Thanks so much to @EmKateRam for an excellent lecture and to Marilyn Hacker for the great conversation. To everyone who made it out, you ROCK. Thanks Bardo for having us! @1mazenkhaled

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ISSUES

To Be In a State of War

Toward the Valley

A Revolutionary Bite

XX

The Other Cave

The Lion Cub

Shadows

There’s So Much Dust

Book Review of Impossible Spaces: The Gardens of Al Ghasaq, by Tarek Abi Samra

Red Lights Mean Stop

Shattered Visages

Forgetting Baghdad

The Breathing Walls Of Beirut’s Grand Theatro

Don’t Go Back To Sleep

Poem of the Intermolecular Forms

Solitude

Chop Shop

Cocoon

A Dream Devouring Itself

منامٌ يأكلُ يدَه

Ana Dimashqene

Apples falling from trees

PRINCE AND PRINCESS – A satirical porno fable

الشبل

Not there yet

Portraits

Tilting towards windmills

Self portrait in the city where I was born

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Dawud

Dissolve Series 2018

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Letter from the Editor

Crossing Borders: Note from the Editor

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