RR

Connecting

I am not going to leave you

seam is thus created

blood

transcription

the scalpel dormant within a reed instrument

neither current nor tested character

spottings

2 2 2 2 2

the result a speech act

blood versions

horizontally

 now

there’s a wall where we shared

choices outside inside

music still

 motivation

see how rhythm milks noise

compare backgrounds

the visual immediate

once we start some say

cities also will.

 

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Arpine Konyalian Grenier

Arpine Konyalian Grenier comes from science, music, languages, and the arts. A graduate of the American University of Beirut; and the Milton Avery Graduate School of the Arts, Bard College, New York, she has authored four collections: St. Gregory’s Daughter; Whores from Samarkand; Part, Part, Euphrates; The Concession Stand: Exaptation at the Margins. Recent work can be found at Journal of Poetics Research, Word/for/Word, Big Bridge, and Barzakh. She lives and writes in Los Angeles.

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Arpine Konyalian Grenier comes from science, music, languages, and the arts. A graduate of the American University of Beirut; and the Milton Avery Graduate School of the Arts, Bard College, New York, she has authored four collections: <em>St. Gregory’s Daughter; Whores from Samarkand; Part, Part, Euphrates; The Concession Stand: Exaptation at the Margins.</em> Recent work can be found at <em>Journal of Poetics Research, Word/for/Word, Big Bridge</em>, and <em>Barzakh</em>. She lives and writes in Los Angeles.

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